Using a Compressor During Home Music Mixing

Any DJ will say that a compressor is his or her key to success as a musician. Synth sample packs work to make music livelier, dynamic, and exciting. Imagine walking into the hottest nightclub in town and hearing the beats all night long. The DJ at this nightclub is likely using a compressor to make pop music sound just a bit different. A compressor works to change an instrument's level and the vocals in a song.

Using a compressor for the purpose of gain riding is common. Gain riding is a technique that involves setting the levels of particular sounds in a song or mix. One problem many home DJ's face is avoiding an image shift in the sound stage. If the right and left channels are not compressed the same, an image shift will be created. The compressor will not work effectively if there is an image shift in the sound stage.

A compressor should not be used to process everything in a song. One is not trying to achieve a full-on effect with a compressor but rather the processing of specific parts of a song. Compressing everything within a song will make the song sound flat and boring. A compressor works best when it is used on sounds that are not constant in level. Unique sounds like a bass, vocals, guitar, or drums are examples of sounds that can and should be used with a compressor.

The ducking effect is a popular effect achieved by DJ's with a compressor. When a DJ begins talking on the radio, then the ducking effect occurs as the music drops. This effect is used when the bass clashes with the kick drum sound. Also, when a DJ wants to achieve a pumping sound in the music, then he will use the ducking effect.

Any DJ should remember a few basic principles about using a compressor. First, the more a DJ compresses a signal, then the higher the average energy level will be. Background noise will always be increased as a DJ uses a high gain reduction.

One of the greatest effects to achieve with vocals is the reverse compression. "New York compression," as it is commonly referred to, happens when a DJ mixes an uncompressed signal with a compressed signal. Many compressors have a special knob that allows a DJ to complete a "New York compression."

Basically, a DJ should remember not to use synth sample packs too much in mixing a song. Rather, a compressor should be used to illuminate, expand upon, and emphasize unique parts of a song.

Mike is a business consultant and has worked for several companies. In his spare time he enjoys experimenting with music and in particular synth sample packs. For more details on any issues raised in the article visit Dance Midi Samples.

Source

Top Tips For Home Music Production

Recording at home can have a fairly large learning curve, especially when trying to sound more professional. Regardless what software you use, here are some tips to get better sound and put out a more impressive track.

Audio Quality

All music recording software has frequency options. Many people don't know how to use these, but it's very simple. For recording an audio musical track always set it to 44.1khz-this is standard on all CDs, and 48khz is for television. If you can't record in 24 bit, or deal with 24 bit samples, then get hardware that can. This will dramatically increase the fidelity of your final track.

Stereo Panning and Mixing

Don't be afraid to make an immersive track. Especially if you are using DJ sample packs to make music. Pan those different tracks and give your listener a feeling of being surrounded by the music, and not just having it blasted directly in front of them. Watch clipping, and don't just use expensive headphones to mix. Most people won't be using them to listen to your track.

Filters

Use frequency filters. Pay attention to your audio quality. If you are recording vocals, try and get rid of any microphone hiss, or ambient background noise. You can use a noise gate or a subtraction filter. Most software have these, and they can be added to FX chains for individual tracks. You can also buy actual hardware ones, they usually come in rack mount form.

Samples

If you are using DJ sample packs, or other types of sounds, make sure they are all in key! Use transposition tools to move it down or up steps until it's in key with the song. Many users start out by just mixing in random samples together and they end up with musical sounding dissonance and by doing this will open up more options for using your loops cohesively. It's also obvious, but you get what you pay for. To get more professional sounds you have to spend the money. There are a lot of great samples free online, but be prepared to do a lot of searching.

Hardware and Equipment

Amass as much equipment as you can. The more of your signal you fix in pre, the better sounding the final product will be. This includes everything from the mixing board you are using, to your mics. Avoid using PC mics, they usually have terrible frequency range and clip like crazy. You don't have to have professional equipment; Behringer makes great entry level products that can produce amazing results.

For more information on the topics mentioned in the article such as using DJ sample packs, please visit Dance Midi Samples where they provide tutorials.

Source

Top Tips For Home Music Production

Recording at home can have a fairly large learning curve, especially when trying to sound more professional. Regardless what software you use, here are some tips to get better sound and put out a more impressive track.

Audio Quality

All music recording software has frequency options. Many people don't know how to use these, but it's very simple. For recording an audio musical track always set it to 44.1khz-this is standard on all CDs, and 48khz is for television. If you can't record in 24 bit, or deal with 24 bit samples, then get hardware that can. This will dramatically increase the fidelity of your final track.

Stereo Panning and Mixing

Don't be afraid to make an immersive track. Especially if you are using DJ sample packs to make music. Pan those different tracks and give your listener a feeling of being surrounded by the music, and not just having it blasted directly in front of them. Watch clipping, and don't just use expensive headphones to mix. Most people won't be using them to listen to your track.

Filters

Use frequency filters. Pay attention to your audio quality. If you are recording vocals, try and get rid of any microphone hiss, or ambient background noise. You can use a noise gate or a subtraction filter. Most software have these, and they can be added to FX chains for individual tracks. You can also buy actual hardware ones, they usually come in rack mount form.

Samples

If you are using DJ sample packs, or other types of sounds, make sure they are all in key! Use transposition tools to move it down or up steps until it's in key with the song. Many users start out by just mixing in random samples together and they end up with musical sounding dissonance and by doing this will open up more options for using your loops cohesively. It's also obvious, but you get what you pay for. To get more professional sounds you have to spend the money. There are a lot of great samples free online, but be prepared to do a lot of searching.

Hardware and Equipment

Amass as much equipment as you can. The more of your signal you fix in pre, the better sounding the final product will be. This includes everything from the mixing board you are using, to your mics. Avoid using PC mics, they usually have terrible frequency range and clip like crazy. You don't have to have professional equipment; Behringer makes great entry level products that can produce amazing results.

For more information on the topics mentioned in the article such as using DJ sample packs, please visit Dance Midi Samples where they provide tutorials.

View the original article here

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History of the Soul Train Music Awards

Soul Train began in 1971, as the first African American music variety show in the history of American television, with a format including a dance club ambiance playing the day's most popular urban music, complete with dancing men and women throughout the show, dressed to impress, along with hosts and performances from among major figures in Black entertainment. Though it initially aired in only the seven cities of Atlanta, Cleveland, Detroit, Houston, Los Angeles, Philadelphia, and San Francisco, the show met with a successful start. Within seven months, the show had achieved its goal of airing in syndication in 25 major cities. The show had been the dream of Don Cornelius, the program's founder, producer, and host. His mission had been to establish a vehicle to offer recognition to Black artists who, in the 60's and 70's, did not receive much television air time on other programs that featured music.

The Soul Train Music Awards began in 1987 as a program for honoring each year's greatest achievements in Black music, and to generate more exposure and recognition for the overlooked artists and performers supported by Soul Train's mission. The first year, the award show's hosts included R&B legends Stevie Wonder, Luther Vandross, and Dionne Warwick, with performances from Run DMC, Whitney Houston, and LL Cool J. Deriving its name from the show from which it sprang, the awards ceremony broadcast includes two hours of live performances by popular R&B, hip hop, and gospel artists. Winners are determined by a voting committee composed of active professionals within various fields of the music industry, including radio programming, music retail, music management, and notable recording artists (as determined by whether their records have reached approved music charts during the past year).

Since the very first year of the awards show, winners have not received traditional crystal awards, but trophies designed as African ceremonial masks, in representation of the heritage and culture from which Black music has derived. Janet Jackson has received more Soul Train Music Awards than any other artist in the history of the awards, with eight, and is tied with R. Kelly for the record for most nominations, with nineteen. Categories honor best albums and singles of the year separately within the genres of R&B/Soul, Gospel, Jazz, and Rap, along with Best New Artist and a category called The Michael Jackson Award for Best R&B/Soul or Rap Music Video. A category called The Sprite Award for Best R&B/Soul or Rap Dance Cut was introduced in 2005 and retired in 2007, with its only three winners being for the videos Yeah by Usher, Lose Control by Missy Elliot, and Chicken Noodle Soup by Young B & Webstar. Special awards categories include the Quincy Jones Award for Career Achievement, Heritage Award for Career Achievement, Sammy Davis Jr. Award for Entertainer of the Year, Stevie Wonder Award for Outstanding Achievements in Song Writing, Artist of the Decade Award for Extraordinary Music Achievements, and the Humanitarian Award.

After the show did not air for two years, in 2007 and 2008, in the aftermath of Don Cornelius' sale of his ownership over the Soul Train company to MadVision Entertainment, the show's return in the year 2009 marked the first time that the awards show took place outside of Los Angeles, held in Atlanta's Georgia World Congress Center that year.

The author of this article is 10 year veteran in the crystal awards and recognition gifts industry.

View the original article here

Using a Compressor During Home Music Mixing

Any DJ will say that a compressor is his or her key to success as a musician. Synth sample packs work to make music livelier, dynamic, and exciting. Imagine walking into the hottest nightclub in town and hearing the beats all night long. The DJ at this nightclub is likely using a compressor to make pop music sound just a bit different. A compressor works to change an instrument's level and the vocals in a song.

Using a compressor for the purpose of gain riding is common. Gain riding is a technique that involves setting the levels of particular sounds in a song or mix. One problem many home DJ's face is avoiding an image shift in the sound stage. If the right and left channels are not compressed the same, an image shift will be created. The compressor will not work effectively if there is an image shift in the sound stage.

A compressor should not be used to process everything in a song. One is not trying to achieve a full-on effect with a compressor but rather the processing of specific parts of a song. Compressing everything within a song will make the song sound flat and boring. A compressor works best when it is used on sounds that are not constant in level. Unique sounds like a bass, vocals, guitar, or drums are examples of sounds that can and should be used with a compressor.

The ducking effect is a popular effect achieved by DJ's with a compressor. When a DJ begins talking on the radio, then the ducking effect occurs as the music drops. This effect is used when the bass clashes with the kick drum sound. Also, when a DJ wants to achieve a pumping sound in the music, then he will use the ducking effect.

Any DJ should remember a few basic principles about using a compressor. First, the more a DJ compresses a signal, then the higher the average energy level will be. Background noise will always be increased as a DJ uses a high gain reduction.

One of the greatest effects to achieve with vocals is the reverse compression. "New York compression," as it is commonly referred to, happens when a DJ mixes an uncompressed signal with a compressed signal. Many compressors have a special knob that allows a DJ to complete a "New York compression."

Basically, a DJ should remember not to use synth sample packs too much in mixing a song. Rather, a compressor should be used to illuminate, expand upon, and emphasize unique parts of a song.

Mike is a business consultant and has worked for several companies. In his spare time he enjoys experimenting with music and in particular synth sample packs. For more details on any issues raised in the article visit Dance Midi Samples.

View the original article here