Some Tips For Recording With A Lapel Mic

Do you want to get great results when miking someone for broadcast or film? Who wouldn't?Here is some sure fire advice for getting the best results when recording your subject with lapel mics. Discussed are some of the problems associated with lapel mics and some ways to solve them. Ready?

Wardrobe:

To make it easier for placement the talent will do better wearing a buttoned shirt. With a button-down shirt you'll do best by placing the lapel mic between the top two buttons. Despite its name it's best not to place it on your collar or lapel. The mic should be about 8" from the mouth. If your subject is wearing a t-shirt wrap the mic cable behind their neck and bring it under the t-shirt. Fasten the mic underneath so the mic still points upward. When wearing a t-shirt the mic tends to want to point downward, so check and make sure that it's fastened in such a way as to ensure that it's upright.

Diplomacy:

Discretion and diplomacy are, needless to say, very important. The subject is probably used to being somewhat harshly handled in placing the mic. Let your talent put on their own microphone. Request them to thread the cable comfortably and stabilize it as they wish. After the the person has positioned it, casually ask him/her if it's OK to adjust it yourself to make final
tweaks.

Wind Noise:

When it is windy outside you will want to make sure that the mic has a wind sock or foam filter. Even if there's no wind it's prudent to have it just in case the wind kicks up. Even a light breeze can ruin a perfectly done broadcast. It will also protect somewhat from the ambient noise that these mics are prone to picking up. Even if you don't have one or want to go to the expense of buying a filter, one can always fashion one - utilizing a bit of foam and affixing it with a rubber band in order to secure it.

Also concerning the wind screen, if you have somebody that can stand by and hold a large
piece of foam core blocking the direction of the wind source, the assistant can act as a screen to prevent the wind from registering.

Headphones:

Always listen with a pair of headphones. With a mixer this will be very easily a done by wiring it to the headphone input. When it comes to hearing what the mic is really capturing headphones are essential,whether it's distortion or wind noises.

Although these tips are not comprehensive for the lapel mic user, they provide some extra information for becoming a better and more successful shooter.

Howard Fine has achieved a preferred place in the world of broadcasting and video. Through his knowledge, these tips can lead one to better standards of recording with lavalier mics, from the novice to the professional.

Source

Why You Should Always Use a Pop Filter for Recording the Human Voice

Pop Filters are generally available in two types. Nylon or the lesser known and used steel mesh type. Either style has benefits depending on your point of view.

As an example some believe a metallic mesh filter will have a greater impact on the filtered sound you are recording while a nylon filter will have less of an influence. (It should be mentioned this relies purely on opinion and that both are effective in reducing plosive noise considerably).

Some believe that there is not any obvious difference between the two, whilst some make the point that each will deaden the sound to some extent, it really is just a question of which does the most damage to your recording.

We have a tendency to agree with this point of view but at the same time understand that almost nothing sounds more second-rate on an audio sound recording than an excessive microphone pop, so with this in mind a pop filter should almost always be use when recording the human voice.

There is undoubtedly some change to the audio when using a pop screen should you have a very good ear but this is considered a relatively small price to pay in nearly all instances, the rewards of using one very much provide more benefits than with-out.

The Aluminum design and style of a model such as the MXL P003 is easier to clean and will naturally stand the test of time better but is by and large much more expensive to buy whilst the nylon model can certainly degrade a touch quicker although this will likely come down to the quantity of work it needs to do and ways in which it is treated.

The primary aspect of difference amid providers is usually the attachment clamp and versatile arm and this is surely an area which is suitable of much more analysis. A strong model for example, the Pro Screen XL is quite economical and features a superb clamp and it has a really accommodating arm that allows for precise movement.

On occasion you may notice a dual screen being used in a recording environment, this is less typical in comparison to the normal Pop Filter. Basically this just increases the filtering of audio and is only used once absolutely necessary.

Usually an expert performer or voice talent with a little experience will not call for this sort of filtering however, if you are noticing a problem with plosive sound on your track even after having an individual pop filter invariably you could use a couple of pop filters as an alternative to a double pop filter.

For more news and information regarding Pop Filters please visit us at Pop Filter We have several useful resources for vocal recording and the correct use of a Pop Filter to reduce plosive noise

Source

Why You Should Always Use a Pop Filter for Recording the Human Voice

Pop Filters are generally available in two types. Nylon or the lesser known and used steel mesh type. Either style has benefits depending on your point of view.

As an example some believe a metallic mesh filter will have a greater impact on the filtered sound you are recording while a nylon filter will have less of an influence. (It should be mentioned this relies purely on opinion and that both are effective in reducing plosive noise considerably).

Some believe that there is not any obvious difference between the two, whilst some make the point that each will deaden the sound to some extent, it really is just a question of which does the most damage to your recording.

We have a tendency to agree with this point of view but at the same time understand that almost nothing sounds more second-rate on an audio sound recording than an excessive microphone pop, so with this in mind a pop filter should almost always be use when recording the human voice.

There is undoubtedly some change to the audio when using a pop screen should you have a very good ear but this is considered a relatively small price to pay in nearly all instances, the rewards of using one very much provide more benefits than with-out.

The Aluminum design and style of a model such as the MXL P003 is easier to clean and will naturally stand the test of time better but is by and large much more expensive to buy whilst the nylon model can certainly degrade a touch quicker although this will likely come down to the quantity of work it needs to do and ways in which it is treated.

The primary aspect of difference amid providers is usually the attachment clamp and versatile arm and this is surely an area which is suitable of much more analysis. A strong model for example, the Pro Screen XL is quite economical and features a superb clamp and it has a really accommodating arm that allows for precise movement.

On occasion you may notice a dual screen being used in a recording environment, this is less typical in comparison to the normal Pop Filter. Basically this just increases the filtering of audio and is only used once absolutely necessary.

Usually an expert performer or voice talent with a little experience will not call for this sort of filtering however, if you are noticing a problem with plosive sound on your track even after having an individual pop filter invariably you could use a couple of pop filters as an alternative to a double pop filter.

For more news and information regarding Pop Filters please visit us at Pop Filter We have several useful resources for vocal recording and the correct use of a Pop Filter to reduce plosive noise

View the original article here

Some Tips For Recording With A Lapel Mic

Do you want to get great results when miking someone for broadcast or film? Who wouldn't?Here is some sure fire advice for getting the best results when recording your subject with lapel mics. Discussed are some of the problems associated with lapel mics and some ways to solve them. Ready?

Wardrobe:

To make it easier for placement the talent will do better wearing a buttoned shirt. With a button-down shirt you'll do best by placing the lapel mic between the top two buttons. Despite its name it's best not to place it on your collar or lapel. The mic should be about 8" from the mouth. If your subject is wearing a t-shirt wrap the mic cable behind their neck and bring it under the t-shirt. Fasten the mic underneath so the mic still points upward. When wearing a t-shirt the mic tends to want to point downward, so check and make sure that it's fastened in such a way as to ensure that it's upright.

Diplomacy:

Discretion and diplomacy are, needless to say, very important. The subject is probably used to being somewhat harshly handled in placing the mic. Let your talent put on their own microphone. Request them to thread the cable comfortably and stabilize it as they wish. After the the person has positioned it, casually ask him/her if it's OK to adjust it yourself to make final
tweaks.

Wind Noise:

When it is windy outside you will want to make sure that the mic has a wind sock or foam filter. Even if there's no wind it's prudent to have it just in case the wind kicks up. Even a light breeze can ruin a perfectly done broadcast. It will also protect somewhat from the ambient noise that these mics are prone to picking up. Even if you don't have one or want to go to the expense of buying a filter, one can always fashion one - utilizing a bit of foam and affixing it with a rubber band in order to secure it.

Also concerning the wind screen, if you have somebody that can stand by and hold a large
piece of foam core blocking the direction of the wind source, the assistant can act as a screen to prevent the wind from registering.

Headphones:

Always listen with a pair of headphones. With a mixer this will be very easily a done by wiring it to the headphone input. When it comes to hearing what the mic is really capturing headphones are essential,whether it's distortion or wind noises.

Although these tips are not comprehensive for the lapel mic user, they provide some extra information for becoming a better and more successful shooter.

Howard Fine has achieved a preferred place in the world of broadcasting and video. Through his knowledge, these tips can lead one to better standards of recording with lavalier mics, from the novice to the professional.

View the original article here